Photography Collectors in the 2013 ARTnews 200

ARTnews recently released its annual list of the largest, most active art collectors in the world (here, magazine cover at right, via ARTnews), and it’s always intriguing to see how photography fares among this elite group. Each collector (or pair) is listed with their geographic location(s), how they came into their money, and the general categories of their collections.

In 2013, the following 11 collectors (out of 200) had some form of photography called out in their collection description, often one of many artwork types in a larger list:

  • Cristina and Thomas W. Bechtler-Lanfranconi
  • Joop van Caldenborgh
  • Ella Fontanals Cisneros
  • Danielle and David Ganek
  • Ydessa Hendeles
  • Alison and Peter W. Klein
  • Thomas H. Lee and Ann Tenenbaum
  • Heather and Tony Podesta
  • Lisa S. and John A. Pritzker
  • Aby J. Rosen
  • Chara Schreyer

Compared to similar lists from prior years, there is remarkable consistency in the names above; most have been on this list for plenty of consecutive years. Of course, this short photo-focused list is a little deceiving, in that roughly 85% of the names on the complete list of 200 collectors have “modern”, “contemporary”, or “emerging” art in their bios, so many of them likely collect some photography as a subset of their larger efforts, but haven’t had it called out specifically as an interest; in fact, there may be other names with broad collection descriptions that may indeed own more photography than some of the names above. More generally, it would be fascinating to know how many of the complete list of 200 own at least one photograph; my guess is that it’s meaningfully more than 50%, which points to a much broader rate of inclusion than the data here explicitly shows. All in, this annual list is always an entertaining barometer of what the most active among us are collecting, allowing us to sketch out a faint picture of the machinations at the top end of the market.

One comment

  1. David /

    A possibly more interesting question is how many of these collectors are primarily collectors of photography – the answer may be only one, the Pritzkers. That may be more of a comment about the construction of this list, if one believes that photography and photo-derived art is not only ubiquitous but also a major draw at most contemporary and modern museums.

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