
A twisting geometric montage, featuring a slice of voyeuristic watching. Maurice Tabard (from 1929) in the second floor hallway at the Met.
A twisting geometric montage, featuring a slice of voyeuristic watching. Maurice Tabard (from 1929) in the second floor hallway at the Met.
The photographic results from the Post-War to Present and Post-War to Present Online sales at Christie’s in London last week were largely uneventful. A Wolfgang Tillmans abstraction took the top ... Read on.