Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
Lorna Simpson @Met
Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
If there has been a consistent pattern to our coverage of the photography included in the annual Armory Show in New York over the years, it has been a subtle ... Read on.