Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
Lorna Simpson @Met
Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
JTF (just the facts): A total of 6 color photographs (on view in a single white-walled gallery space) and 1 participatory sculpture (on view in the front room surrounded by ... Read on.