Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
Lorna Simpson @Met
Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
JTF (just the facts): A total of 18 large scale color photographs, framed in white and unmatted, and hung against white walls in the main gallery space and near the ... Read on.