Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
JTF (just the facts): A total of 53 black-and-white and color photographs by Wessel, on view in a gallery space and hallway area on the second floor. The following works ... Read on.