
Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
JTF (just the facts): A total of 88 color photographs, variously framed, matted, and displayed, and hung against grey and white walls on the second and third floors of the ... Read on.