Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
Lorna Simpson @Met
Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
JTF (just the facts): A total of 454 black-and-white photographs, framed in black and matted, and hung on black steel scaffolding and against white walls in the large open space, ... Read on.