Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
Lorna Simpson @Met
Leaving Lena Horne just out of the frame, alluding to racist film editing from the 1940s. Lorna Simpson, from 1998, in the drawings area on the second floor at the Met.
One of the largest private collections of daguerreotypes came back into the market last week at Christie’s. Methodically assembled by Lynn and Yann Maillet over a period of six decades, ... Read on.