Pushing photocollage toward something approaching additive portraiture. Jorge Cáceres (late 1930s, from Chile) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
Jorge Cáceres @Met
Pushing photocollage toward something approaching additive portraiture. Jorge Cáceres (late 1930s, from Chile) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
As expected, the William Eggleston dye transfer printers’ proofs from the collection of Guy Stricherz and Irene Malli performed admirably earlier this week at Phillips. It was a white glove ... Read on.