Pushing photocollage toward something approaching additive portraiture. Jorge Cáceres (late 1930s, from Chile) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
Pushing photocollage toward something approaching additive portraiture. Jorge Cáceres (late 1930s, from Chile) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
JTF (just the facts): A total of 18 large scale color photographs, framed in white and unmatted, and hung against white walls in the main gallery space and near the ... Read on.