Pushing photocollage toward something approaching additive portraiture. Jorge Cáceres (late 1930s, from Chile) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
Jorge Cáceres @Met
Pushing photocollage toward something approaching additive portraiture. Jorge Cáceres (late 1930s, from Chile) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
The results from the recent photography sale at Millon in Paris were largely uneventful. An anonymous 19th travel album took the top lot honors, and there were a number of ... Read on.