
Pushing photocollage toward something approaching additive portraiture. Jorge Cáceres (late 1930s, from Chile) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
Pushing photocollage toward something approaching additive portraiture. Jorge Cáceres (late 1930s, from Chile) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
JTF (just the facts): A paired show of the works of Tina Modotti and Edward Weston, framed in black and matted, and hung against white walls and linen partitions in ... Read on.