
Pushing photocollage toward something approaching additive portraiture. Jorge Cáceres (late 1930s, from Chile) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
Pushing photocollage toward something approaching additive portraiture. Jorge Cáceres (late 1930s, from Chile) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
JTF (just the facts): A total of 43 photographs and sculptural works, variously framed/displayed, and hung against white walls in the main gallery space and the office area. (Installation shots ... Read on.