
Using the cliché–verre process to approximate the scratchy movement of trees on a mountainside. Jean-Baptise-Camille Corot (from 1856) in the Misunderstandings group show at Peter Freeman.
Using the cliché–verre process to approximate the scratchy movement of trees on a mountainside. Jean-Baptise-Camille Corot (from 1856) in the Misunderstandings group show at Peter Freeman.
As has been our tradition for many years now, as the art world slows down for a collective summer vacation at the end of August, so do we. At this ... Read on.