
A pensive Harlem nude, flanked by competing studio backdrops. James Van Der Zee (from 1923) in The Harlem Renaissance and Transatlantic Modernism at the Met.
A pensive Harlem nude, flanked by competing studio backdrops. James Van Der Zee (from 1923) in The Harlem Renaissance and Transatlantic Modernism at the Met.
JTF (just the facts): A total of 23 color photographs, framed in white and unmatted, and hung against white walls in a series of connected rooms on the main floor, ... Read on.