
A pensive Harlem nude, flanked by competing studio backdrops. James Van Der Zee (from 1923) in The Harlem Renaissance and Transatlantic Modernism at the Met.
A pensive Harlem nude, flanked by competing studio backdrops. James Van Der Zee (from 1923) in The Harlem Renaissance and Transatlantic Modernism at the Met.
JTF (just the facts): A total of 21 color photographs, generally framed in light wood and matted, and hung against white walls in the back gallery space. Twenty of the ... Read on.