
Using black overpainted ink to redefine, flatten, and obscure. Fernando de Azevedo (1950s, from Portugal) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
Using black overpainted ink to redefine, flatten, and obscure. Fernando de Azevedo (1950s, from Portugal) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
JTF (just the facts): A total of 9 photographic works, variously framed and matted, and hung against white walls in the main gallery space, the entry area, and the back ... Read on.