
Using black overpainted ink to redefine, flatten, and obscure. Fernando de Azevedo (1950s, from Portugal) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
Using black overpainted ink to redefine, flatten, and obscure. Fernando de Azevedo (1950s, from Portugal) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
JTF (just the facts): A total of 14 black-and-white photographs, framed in light grey and unmatted, and hung against black walls in the front and rear spaces of the main ... Read on.