Using black overpainted ink to redefine, flatten, and obscure. Fernando de Azevedo (1950s, from Portugal) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
Fernando de Azevedo @Met
Using black overpainted ink to redefine, flatten, and obscure. Fernando de Azevedo (1950s, from Portugal) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
JTF (just the facts): A total of 12 photographic works, framed in white and unmatted, and hung against white walls in the two-room gallery space. (Installation and detail shots below.) ... Read on.