Using black overpainted ink to redefine, flatten, and obscure. Fernando de Azevedo (1950s, from Portugal) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
Fernando de Azevedo @Met
Using black overpainted ink to redefine, flatten, and obscure. Fernando de Azevedo (1950s, from Portugal) in the Surrealism Beyond Borders group exhibition at the Metropolitan Museum of Art.
While Heritage was able to secure several more high priced consignments than usual for its extra large Photographs Signature Auction last week, there wasn’t enough interest in those lots to ... Read on.