Christine Osinski: From Staten Island @Sasha Wolf

JTF (just the facts): A total of 23 black and white photographs, framed in white and matted, and hung against white walls in the single room gallery space. All of the works are modern gelatin silver prints, made from negatives taken in 1983-1984. The prints are sized 11×11, 11×14, or 20×24, each in editions of 10. There are 6 images in the 11×11 size, 12 images in the 11×14 size, and 5 images in the 20×24 size on view. (Installation shots below.)

Comments/Context: Christine Osinski’s black and white photographs from mid 1980s Staten Island are full of small, unassuming memories. Grounded in fleeting glimpses of modest New York neighborhood life, they look back to a time when teenagers lingered on sidewalks and houses bore the trappings of unpretentious aspiration.

More than half of the images on view in this consistently evocative show capture the telling, almost invisible gestures of the local kids, from pudgy young boys in pulled up shorts to more worldly teenage girls warily drinking beers sitting on the back of a parked cadillac. Awkward pre-teens look away timidly or stand self consciously in their knee high tube socks (a look I remember well from my own early 80s style), while boys just a few years older are flexing their muscles and showing off their go-karts and girls with feathered hair and name tag necklaces are posing in matching sashes and short shorts. Osinski’s summertime portraits have an effortless ease to them, a casual genuine warmth for all the uncool stages of growing up.

Other images in the show document the quietly quirky houses in the neighborhood, with their front portico columns and neatly trimmed spiral evergreens. Osinski has a subtly tuned eye for unexpected details and ironies: roof fixing ladders criss-crossed in angled patterns, the perfectly edged strips of front lawn grass, the treeless dirt expanse flanking the new houses in the aptly named Forest View Estates, and the ornate putti sitting atop dull brick pillars. Images of grimy kids playing in front of houses with overgrown driveways, plastic pools, hanging motors being repaired, and crashed cars never tread into criticality, but linger in easygoing, observant openness.

In the end, these prints are full of the tiny meaningful details that remind us of a specific time and place. But the shy look or the trying to be cool swagger of the everyday kids in Osinski’s images is more than simply nostalgic. The craftsmanship in these photographs is consistently high, and the nuance in the modern prints does justice to the richness in the portraits. We’ve been transported to a Staten Island of the past, but the small human truths found in these photographs are universal.

Collector’s POV: The works in this show are priced as follows. The 11×11 and 11×14 prints are $1500 each, while the 20×24 prints are $3000 each. Osinski’s work has little secondary market history, so gallery retail will be the best option for those collectors interested in following up.

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Read more about: Christine Osinski, Sasha Wolf Gallery

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JTF (just the facts): A total of 11 color photographs, framed in brown wood/white and unmatted, and hung against white walls in the main gallery space and the smaller side ... Read on.

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