Layered mirrors of dissolving colored smoke. Goldschmied & Chiari at Kristen Lorello.
The dystopian luxury of gold-plated surveillance. Jonathan Monaghan at Bitforms.
A wispy double exposure over the famous legs. Manuel Álvarez Bravo in the Surrealismo group show at Throckmorton Fine Art.
A spiraling collage of information processing. Lola Álvarez Bravo in the Surrealismo group show at Throckmorton Fine Art.
Delicate Earthrise over the moon. William Anders in the 11/2 The Beauty of Space photo sale at Skinner.
Wild dogs scavenging the carcass of Chinese village life. Yang Fudong at the Walther Collection.
Adding massive scale to all-over arrangements of natural detritus. Tanya Marcuse at Julie Saul Gallery.
Painterly constructed stories filled with wartime memories. Paolo Ventura at Edwynn Houk Gallery.
A dense tangle of salvaged cabling. Paul Bulteel at Anastasia Photo.
Piecing together the celebrity of JFK Jr. Pacifico Silano at Rubber Factory.
Pushing the city into overexposed brightness. Andreas Gefeller at Sous Les Etoiles Gallery.
Reducing Venice to perfect flatness. Sze Tsung Leong at Danziger Gallery.
Alfred Hitchcock in the side mirror. Lawrence Schiller (from 1962) in the 10/11 Photographs auction at Heritage Auctions.
The all-over tangle of plastic chairs. Claude Iverné at Aperture Gallery.
The deeply inscribed lines of the Peruvian desert. Edward Ranney at Deborah Bell Photographs.
Using a glass plate to create unsettling distortion. Ana Mendieta in the Delirious group show at the Met Breuer.
A scathing mockery of the tourist experience. Carlos Ginzburg at Henrique Faria Fine Art.
Adding isolating abstraction to the warehouses of Buenos Aires. Horacio Zabala at Henrique Faria Fine Art.
Intricate layers of windows, blinds, and shadows. William Keck (from 1938) in the Modern Spirit group show at Laurence Miller Gallery.
The bold lines of an overhead walk. Boris Ignatovich in the Russian Photography after the Revolution group show at Nailya Alexander Gallery.