Cyanotype octopus suckers like eyeballs. Brian Buckley at ClampArt.
The tumbling tabletop interplay of artistic materials. Susan Weil at Sundaram Tagore Gallery.
Self-portrait on a bed of mussel shells. Mehryl Levisse at Catinca Tabacaru Gallery.
The tactile details of digitally unwrapped skin. June Yong Lee in the Cheap Suitcase group show at Invisible-Exports.
Mount Vesuvius reduced to a Minimalist horizon. Giacomo Caneva in the Paradise of Exiles: Early Photography in Italy group show at the Metropolitan Museum of Art.
Ghostly fruit vendors and crisp architectural detail. Carlo Baldessarre Simelli in the Paradise of Exiles: Early Photography in Italy group show at the Metropolitan Museum of Art.
Doubled cyanotype bodies like totems. Robert Rauschenberg (from 1950) at the Museum of Modern Art.
A wall-filling sea of television static. Wolfgang Tillmans in the Unfinished Conversations: New Work from the Collection group show at the Museum of Modern Art.
Eleanor and Barbara dwarfed by the Chicago skyline. Harry Callahan in the Beyond Fashion: Women in Landscape group show at Deborah Bell Photographs.
The brightness of shifting trees, seen underground. Leah Oates in the Bryant Park subway station.
Species categorization of ayatollah flowers. Walid Raad at Paula Cooper Gallery.
Rebuilding the still life with contradictory digital fragments. Lucas Blalock in the More Simply Put group show at Sikkema Jenkins.
A precarious tower of obsolete technology. Jeanette May at Klompching Gallery.
A rising flock of artificial birds. Alessandra Sanguinetti at Aperture Gallery.
Sculptural image surfaces merging bananas and yellow plaid. David Kennedy Cutler at Derek Eller Gallery.
A stuttering triptych of anxious all-over florals. Chau Tran-Vi in the TX: Yale MFA Photo 2017 show at Danziger Gallery.
The formal interplay of a fencing mask, a Rolex, and male calm. Matthew Leifheit in the TX: Yale MFA Photo 2017 show at Danziger Gallery.
Crisp symbolic details in blue and white. Farah Al Qasimi in the TX: Yale MFA Photo 2017 show at Danziger Gallery.
The formal perspective lines of receding railcars. Victoria Sambunaris at Yancey Richardson Gallery.
Women of color rethinking themselves for a corporate world. Endia Beal at the Half King.
