Central Park tree silhouettes reflected in still water. Jeff Chien-Hsing Liao at Foley Gallery.
The intimate grip of nail clippers. Mary Kelly (from 1974) in the An Incomplete History of Protest group show at the Whitney.
Disappearing into an artificial jungle. Patty Carroll in the Women in Colour group show at Rubber Factory.
Folds and crumples filled with energetic color. Ellen Carey in the Women in Colour group show at Rubber Factory.
An ordered array of colored light. Amanda Means in the Women in Colour group show at Rubber Factory.
A surreal pruning of vegetal body parts. Marc Foucault in the Avant-Garde: Photographs from the Shalom Shpilman Collection online sale at Christie’s.
Indirect views of the hidden lives of Jeddah women. Olivia Arthur in the Women Seeing Women group show at Staley-Wise Gallery.
The wandering thoughts of an Iraqi refugee. Diana Markosian in the Women Seeing Women group show at Staley-Wise Gallery.
Processing a mother’s death within the context of HIV. Kia LaBeija in the AIDS at Home group show at the Museum of the City of New York.
A still life arrangement of homeless possessions. Anthony Hernandez in the Notions of Home group show at Yancey Richardson Gallery.
The empty desert pathways of a planned community. Noritaka Minami in the 2017 Aperture Summer Open: On Freedom at Aperture Gallery.
The quiet grace of tender attention. Jess T. Dugan in the 2017 Aperture Summer Open: On Freedom at Aperture Gallery.
A stare mixing confidence and wary vulnerability. Maureen Drennan in the 2017 Aperture Summer Open: On Freedom at Aperture Gallery.
The twisted inversions of a headstand. Farah Al Qasimi in the Discursive Selves group show at Westbeth Gallery.
Divided by the vertical slices of a ceiling mirror. Nicolas Bloise in the Discursive Selves group show at Westbeth Gallery.
The pastel shards of an exploding rose. Martin Klimas in the Gardens on Orchard group show at Foley Gallery.
Rethinking crashing waves in the context of swirling wood grain. Clifford Ross at Ryan Lee Gallery.
Finding ghosts of the universe in obsolete technology. Taezoo Park in the From Digital and Back group show at the Pratt Manhattan Gallery.
Ephemeral impressions of a shiny masquerade. Aleya Lehmann Bench in the Exhibition Lab Exhibition at Foley Gallery.
Using rocks to explore exhausting physical intensity. Alex Gencarelli in the Where Water Comes Together (RISD 2017 MFA Photo) show at ClampArt.
