An uncertain topology of swirls and reflections. Josephine Pryde in The Mechanics of Fluids at Marianne Boesky Gallery.
Mesh undulations and blasts of tactile color. Eileen Quinlan in The Mechanics of Fluids at Marianne Boesky Gallery.
Using reversed tonalities to recalibrate an embrace. Lola Flash in the Into the Light group show at Daniel Cooney Fine Art.
The delicate power of intimate touch. Sophia Wallace in the Into the Light group show at Daniel Cooney Fine Art.
Seeing the strength and vulnerability in transgender teens. Annie Tritt in the Into the Light group show at Daniel Cooney Fine Art.
Constructing a shifting eye from shuttling toy trains. JR at Perrotin.
The surreal swarm of bees on a bicycle seat. Meret Oppenheim in A Luta Continua. The Sylvio Perlstein Collection at Hauser & Wirth.
Setting sail on waves of hair. Dora Maar in A Luta Continua. The Sylvio Perlstein Collection at Hauser & Wirth.
The careful gestures of a crowd of mannequins. Umbo in A Luta Continua. The Sylvio Perlstein Collection at Hauser & Wirth.
Layers of shadows on a pure white back. Man Ray in A Luta Continua. The Sylvio Perlstein Collection at Hauser & Wirth.
The telescoping concentric circles of a rayograph. Man Ray in A Luta Continua. The Sylvio Perlstein Collection at Hauser & Wirth.
Gloved hands painted by Picasso. Man Ray in A Luta Continua. The Sylvio Perlstein Collection at Hauser & Wirth.
Searching for just the right lampshade. Dan Weiner at Steven Kasher Gallery.
Constructed layers of seeing through, using Plexiglas sheets and a glass apple. Rose Marcus at Mitchell Algus Gallery, via Mary Mary Gallery as part of Condo New York.
The quiet sidewalk vulnerability of a child sitting in a chair. Sandra Weiner at Steven Kasher Gallery.
Turning an open mouth into a swirl of torment. Lucas Samaras at Craig F. Starr Gallery.
Chemical residues swirled into ephemeral crystal balls. Michelle Charles in the On the Periphery of Vision group show at Jane Lombard Gallery.
Intertwined bodies with a horror-film aesthetic. Sue de Beer at Marianne Boesky Gallery.
Peeling apart the traditions of the still life. Melanie Schiff in the Vanitas group show at Kate Werble Gallery.
Capturing a black cowboy in a rearing equestrian pose, echoing David’s Napoleon. Rory Doyle at the Half King.
