The honest labor of a grain worker, in silhouette and shadow. Gordon Parks in The Immigrants group show at Howard Greenberg Gallery.
Up the stairs to America. Lewis Hine in The Immigrants group show at Howard Greenberg Gallery.
Bobby Kennedy as a larger than life presence in a 1966 speech at UC Berkeley. Steve Schapiro at Howard Greenberg Gallery.
Peeking through a woven blanket, pretending to be afraid. Scott Alario at Kristen Lorello.
Layers of touch, reflection, and seeing. Paul Mpagi Sepuya in the Trigger: Gender as a Tool and a Weapon group show at the New Museum.
The nighttime glow of a women-only RV park. Connie Samaras in the Trigger: Gender as a Tool and a Weapon group show at the New Museum.
Collaged bodies constructed from outlines and omissions. Troy Michie in the Trigger: Gender as a Tool and a Weapon group show at the New Museum.
Drawing cubes with electrified wire. David Goldes at Yossi Milo Gallery.
The illusionistic mixing of hair and fingers. Natalie Krick at Aperture Gallery.
The timeless ritual of waiting in the backseat. Cig Harvey at Robert Mann Gallery.
Found portraits made ethereal by lightbulb arrays. Nge Lay in the After Darkness group show at the Asia Society.
Blocking out political blathering with a white dot. FX Harsono in the After Darkness group show at the Asia Society.
The ghostly shimmer of a broken chandelier. Vanessa Albury at Benrubi Gallery.
The overlapped angles and shadows of urban night. André Cepeda at Benrubi Gallery.
A vibrant mix of fashion and conceptual reinterpretation. Mario Sorrenti and John Baldessari at Half Gallery.
Loving, tender touch in crisp high contrast. Dana Lixenberg in the Deutsche Börse Photography Foundation Prize 2017 show at Aperture.
Shrink wrapped meats on Day 34 of the countdown to romantic rejection. Sophie Calle in the Deutsche Börse Photography Foundation Prize 2017 show at Aperture.
Landscape as elegant central absence. Jitka Hanzlová at Yancey Richardson Gallery.
Shimmering floral stems like cracked glass. Rose Mandel at Deborah Bell Photographs.
The sensual use of tactile color. Sheila Metzner at Staley-Wise Gallery.
