Blowing a bubble on a Chicago street. Marvin E. Newman at Keith de Lellis Gallery.
The poignant angles of hands and arms behind an iron fence. Wayne Miller at Keith de Lellis Gallery.
Constructing a spotted dress from peapods. Michiko Kon at Robert Mann Gallery.
Energetic sculptural movement in a series of 1967 nude self-portraits. Peter Hujar at Pace/MacGill Gallery.
Silhouettes working inside the transparent globe of the Moscow Telegraph. Arkady Shaikhet in the Constructing the Frame: Composition Among the Early Soviet Avant-Garde group show at Nailya Alexander Gallery.
Meticulously pinned individuals gathered into maquettes for an inclusive New York City mural. JR at Perrotin.
Textural constructions made from thorned branches and mud. Carlos Iván Hernández in the Lamentable tierra/Sorrow Land group show at Baxter Street at CCNY.
Body parts collaged into densely layered patterns. Paul Loughney at Lesley Heller.
A series of one-sided kisses, exploring the stereotypes and nuances of intimacy. Tommy Kha at LMAKgallery.
Using motion sensors to trigger the illumination of a lamp draped in image-printed silk. Sergei Tcherepnin at Company Gallery.
An early four-sided box sculpture, with planes of a female nude visible on each side. Sol LeWitt at Craig F. Starr Gallery.
Dividing the flow of a televised hockey game into photobooth strips. Jared Bark at Yancey Richardson Gallery.
Confounding spatial assumptions in layered printed imagery arrangements. Laura Letinksy at Yancey Richardson Gallery.
Nested layers of cacophonous cinematic war. Christian Marclay at Paula Cooper Gallery.
An orange coat and an elegantly understated moment of repose. Lili Jamail in the back room at Team Gallery.
The sculptural form of a muscular male nude. Jim French in the Sex Crimes group show at ClampArt.
Tied up in a thicket of elasticity. Senga Nengudi in the Artistic Licence group show at the Guggenheim.
The tangled connection of fragmented card players. Romare Bearden in the Artistic Licence group show at the Guggenheim.
Gathering museum objects made by women into fluid, tinted layers. Sara VanDerBeek at Metro Pictures.
The abstract pink squiggles of a 1943 dye transfer. Harry Callahan in the Drawing the Line group show at Bruce Silverstein Gallery.
