Embedding photographs in ragged scraps of salvaged asphalt roofing. Karyn Olivier at Tanya Bonakdar Gallery.
Matching photographic bodies with curves of ceramic and wood. Sheree Hovsepian in the A Thought Sublime group show at Marianne Boesky Gallery.
Using ladders to arrange 1920s era swimwear. George Hoyningen-Huene in a paired show with Horst P. Horst at Staley-Wise Gallery.
The elegant flow of a spider dress. Horst P. Horst in a paired show with George Hoyningen-Huene at Staley-Wise Gallery.
An unsettling combination of raw meat, guns, and glowing red eyes. Farah Al Qasimi in the DOG group show at Company Gallery.
Arranging a physical echo of an FC Gundlach portrait setup as a tribute to Jean-Luc Godard. Barbara Bloom at David Lewis.
The supportive sisterhood of dancers at Houston’s Club Onyx. Adrienne Raquel at Fotografiska.
Using photographs as source material for drawings. Tom of Finland at Fotografiska.
Mysterious collaged faces, dissolving into aggregation of overlapped detail. Romare Bearden in Artist’s Choice: Yto Barrada—A Raft at MoMA.
The delicate lines of a spiderweb. Ilse Bing in Artist’s Choice: Yto Barrada—A Raft at MoMA.
Creating an expansively linked family tree of food brand characters/faces. Nina Katchadourian at Pace Gallery.
Shadows of a leafy branch twisted into a swirling collage of geometric layers. Sandi Haber Fifield at Yancey Richardson Gallery.
Using ducks in Central Park as the subject of a 1969 minute-by-minute duration study. Douglas Huebler in the No More Than Three Other Times group show at Paula Cooper Gallery.
Bird collages documenting a fictitious invasive bird program in Lebanon. Walid Raad in the No More Than Three Other Times group show at Paula Cooper Gallery.
Emptying out and anonymizing the posed romance. Hans-Peter Feldmann at 303 Gallery.
Stepping out of an intricately crafted cut paper carriage. Jasper de Beijer at Asya Geisberg Gallery.
Using the story of Abraham and Isaac as a response to the 1970 Kent State shootings. George Segal in Scenes from the Collection at the Jewish Museum.
Adding a handheld camera to a back-of-the-print copyright notice. Jimmy DeSana in Ray Johnson: WHAT A DUMP at David Zwirner.
Arthur Rimbaud climbing through the rotting piers. David Wojnarowicz in Ray Johnson: WHAT A DUMP at David Zwirner.
Peeling back the wispy angles of prickly interior pressure. Jimmy DeSana in Ray Johnson: WHAT A DUMP at David Zwirner.
