A reflected view of the connected generations of family. Tyler Mitchell at the Gordon Parks Foundation.
Replaying the quietly dramatic disillusionment of the artist’s own immigration story. Diana Markosian at the ICP.
Markosian’s 2020 photobook Santa Barbara was reviewed here.
Fitting lounging bodies together like interlocked puzzle pieces. Ruth Orkin, from 1948, at Fotografiska.
Peering through the rails of a bannister, surrounded by a surreal world of floating dolls. Rosalind Fox Solomon at Foley Gallery.
Embedding photographic imagery in ceramics, like melting blossoms in amoebic tidepools. Erin Jane Nelson in the 2021 Triennial: Soft Water Hard Stone at the New Museum.
A youthful face of pandemic-era New York city. Marie Tomanova at C24 Gallery.
An unlikely hammock placed within angled planes of spearmint green. Tyler Haughey at Sears-Peyton Gallery.
Erasing a husband with floral embroidery. Spandita Malik at Baxter St at CCNY.
A superwide overpass panorama, made with a 1917 16-inch Cirkut camera. Kenneth Snelson at Marlborough New York.
Remixing images from vintage Jet pinup calendars with layers of substituted textures. Mickalene Thomas at Lévy Gorvy.
Exploring the commonalities of using remote sensing equipment for wildlife research and border surveillance. Alex Turner at Rick Wester Fine Art.
Creating a thematic gang out of cresting waves, blowing leaves, and textured hair. Richard Prince at Gladstone Gallery.
Interlocked inversions of faces and hands. Barbara Hammer at Company Gallery.
Wispy natural imprints executed in tactile printer toner. Marsha Cottrell at Van Doren Waxter.
Self-portrait mixing space gear, futuristic thin sunglasses, and the setting of a cornfield. Tourmaline in the 3.0 group show at Chapter NY.
Layered objects seen from above, telescoping in atop a newspaper spread. Paul Thek and Edwin Klein, from 1969, at Alexander and Bonin.
A 3D-rendered leaping lumberjack, perched atop a chainsaw in dissolving red plaid. Shamus Clisset at Postmasters.
Re-enacting the German Coast slave uprising of 1811, against the backdrop of a modern day Louisiana oil refinery. Dread Scott at Cristin Tierney Gallery.
Cutting through improvised armor of carboard to reveal a flattened breast. B. Ingrid Olson in the This is My Bodys group show at Bodega.
Meticulously recreating the mid-20th century relocation of a massive Danish Modernist sculpture by C.J. Bonnesen. Thomas Bangsted at Marc Straus.
