A superwide overpass panorama, made with a 1917 16-inch Cirkut camera. Kenneth Snelson at Marlborough New York.
Remixing images from vintage Jet pinup calendars with layers of substituted textures. Mickalene Thomas at Lévy Gorvy.
Exploring the commonalities of using remote sensing equipment for wildlife research and border surveillance. Alex Turner at Rick Wester Fine Art.
Creating a thematic gang out of cresting waves, blowing leaves, and textured hair. Richard Prince at Gladstone Gallery.
Interlocked inversions of faces and hands. Barbara Hammer at Company Gallery.
Wispy natural imprints executed in tactile printer toner. Marsha Cottrell at Van Doren Waxter.
Self-portrait mixing space gear, futuristic thin sunglasses, and the setting of a cornfield. Tourmaline in the 3.0 group show at Chapter NY.
Layered objects seen from above, telescoping in atop a newspaper spread. Paul Thek and Edwin Klein, from 1969, at Alexander and Bonin.
A 3D-rendered leaping lumberjack, perched atop a chainsaw in dissolving red plaid. Shamus Clisset at Postmasters.
Re-enacting the German Coast slave uprising of 1811, against the backdrop of a modern day Louisiana oil refinery. Dread Scott at Cristin Tierney Gallery.
Cutting through improvised armor of carboard to reveal a flattened breast. B. Ingrid Olson in the This is My Bodys group show at Bodega.
Meticulously recreating the mid-20th century relocation of a massive Danish Modernist sculpture by C.J. Bonnesen. Thomas Bangsted at Marc Straus.
Envisioning purgatory as a tonal reversal, as applied to large scale prints of jacaranda trees. Tacita Dean at Marian Goodman Gallery.
Locating a fashion model in a flash-lit overgrowth of flowers. Tyler Mitchell at Jack Shainman Gallery.
Shifting photograms of slide carousels layered with colored gels. Jeanne Liotta at Microscope Gallery.
Extending a self-portrait with scissors into a stepping undulation. Lucas Samaras in the Convergent Evolutions group show at Pace Gallery.
A surreal eyeball on late night television. Bruce Conner at Paula Cooper Gallery.
Using a Bruce Conner silhouette as a container for a collage. Jay DeFeo at Paula Cooper Gallery.
Physically crafting an identity out of cameras, with eyes and lenses as echoing elements. Zanele Muholi at Yancey Richardson.
A floral composite made from layers of multiple exposures, like the textures of a tapestry. Stephen Wilkes at Bryce Wolkowitz Gallery.
