Giving birth and raising children in dark damp cellars during the war in Dombas. Alena Grom in the Women at War group show at Fridman Gallery.
Fran Lebowitz surrounded by bold bedroom patterns, the print set against matching gallery wallpaper. Peter Hujar in the STUFF group show at Pace Gallery.
Film frames of fashion models elegantly dangling from clothespins. B. Wurtz (from 2002) in the Reciprocity group show at Marinaro Gallery.
An array of circles, including a porthole through to the gallery wall. Sara Greenberger Rafferty (from 2022) in the Reciprocity group show at Marinaro Gallery.
Building up an elusively nested self-portrait. Darrel Ellis (from c1989-1991) in the Reciprocity group show at Marinaro Gallery.
Matching pyramidal forms in knitting and stonework. Elaine Reicheck (from 1982) in the Reciprocity group show at Marinaro Gallery.
Amplifying the drama of a striated sunset with towering bands of clouds. Roe Ethridge (from 2008) in the Among Friends: Three Views of the Collection group show at the Flag Art Foundation.
An elemental arrangement of intersecting lines and planes. Barbara Kasten (from 2011) in the Among Friends: Three Views of the Collection group show at the Flag Art Foundation.
The unsettling majesty of an upside down tree. Rodney Graham (from 1988) in the Among Friends: Three Views of the Collection group show at the Flag Art Foundation.
A symmetrical beach pose with pops of yellow. Wayne Lawrence (from 2010) in the Among Friends: Three Views of the Collection group show at the Flag Art Foundation.
Reinterpreting earlier ideas and motifs in wall-filling vinyl collages. Barbara Kruger at David Zwirner.
The seductive mystery of a Black lesbian love story. Avion Pearce in the Ritual Being group show at Ryan Lee Gallery.
Weaving together the rough textures of lava and concrete, like sedimentary striations. Letha Wilson (from 2020) in the Contaminated Landscape group show at Marc Straus Gallery.
A gestural zigzag of frozen sticks. Andy Goldsworthy (from 1995) in the Contaminated Landscape group show at Marc Straus Gallery.
Turning Jasper Johns into a jittery telescoping repetition. Duane Michals in the A S K E W group show at DC Moore Gallery.
A constructed still life of doubled image objects and cast shadows, executed in subtle layers of green. Daniel Gordon in the RGB group show at Yossi Milo Gallery.
Adding a swirl of digital artifacts to striated textural paint. Chris Dorland in The Tale Their Terror Tells at Lyles & King.
A paired stereoscopic view with variations in eerie light. Hings Lim in The Tale Their Terror Tells at Lyles & King.
A tree stump spreading onto the sidewalk with encroaching menace. Zoe Leonard in The Tale Their Terror Tells at Lyles & King.
The infinite expressiveness found in images of hands. Vernacular photographs from the collection of A. & D. Winter in the Untitled (hands) group show at Carriage Trade.
