Turning layered photogram shards into an elusive hint of three-dimensional form. Mike Jackson in the Off the Pedestal group show at Foley Gallery.
A lyrical tumble between ancient moss-covered branches and rusted tanks. Maximilian Thuemler at New Collectors Gallery.
The watery movement of ethereal tendrils. Jitka Hanzlová at Yancey Richardson.
Wearing three generations of traditional Korean garments to wrestle with the unknowable histories of the past. Haji Oh in the Kanten group show at Apexart.
Sorting book titles into unexpected rebus-like messages and stories. Nina Katchadourian in the Uncommon Denominator: Nina Katchadourian at the Morgan group show at the Morgan Library.
Reorienting space with a single cut. Katrien De Blauwer (from 2014) in the Uncommon Denominator: Nina Katchadourian at the Morgan group show at the Morgan Library.
Faucet handles as layers of nested image objects. Robert Cumming (from 1967-1972) in the Uncommon Denominator: Nina Katchadourian at the Morgan group show at the Morgan Library.
The interlocked textures of newspaper and chain link fence. Vivian Maier (from 1953) in the Uncommon Denominator: Nina Katchadourian at the Morgan group show at the Morgan Library.
A split second moment of bag punching angles. Gjon Mili (from 1930) in the Uncommon Denominator: Nina Katchadourian at the Morgan group show at the Morgan Library.
A vacant stare and a roughly sewn dress. Ketuta Alexi-Meskhishvili at Helena Anrather.
The enveloping deep blue of Times Square in the snow. Pete Turner (from 1957) at Bruce Silverstein.
A spiraled paper study, with additional layers of color abstraction. Yuichi Idaka (from 1942-1947) at Higher Pictures Generation.
Literally carving up the bed of a former marriage. Patricia L. Boyd at Reena Spaulings Fine Art.
Turning magazine spreads into slippery undulating forms. Rey Akdogan at Miguel Abreu Gallery.
Seeing the formal whimsy in a studio wall adorned with pinned paper cutouts. David Gilbert at Klaus von Nichtssagend.
A hyper-real view of intricate Gothic detail. Markus Brunetti (from 2022) at Yossi Milo.
Distorted nudes using a fisheye lens, layered into misty overlapping echoes. Kunié Sugiura (from 1965-1967) at Alison Bradley Projects.
Photographic brushstrokes draped around 3D models and fed into an AI system, creating hybrid bodies that refuse to coalesce. Matthew Stone at The Hole.
Giving a modern aluminum baseball bat the surreal glow of an archeological artifact. Priscilla Aleman at Baxter St at CCNY.
Watercolor moods, reimagined as a series of inkjet prints. Gerhard Richter at David Zwirner.
