Dangling prints on gauze, where enlarged body parts surround and shimmer. Pola Sieverding at Signs and Symbols.

Merging two negative silhouettes, creating a mixed echo of location and gender. John Stezaker at Petzel Gallery.

The disorienting doubled reflection of the artist’s mother in the bathtub. Katherine Hubbard at Company Gallery.

Photocopied pigeons transformed into a zine quilt. Pat McCarthy in the Entrance booth at NADA New York.

Photographic transfers to canvas, intricately layered via sculptural cutouts, doubling, and bent back redirection. David Kennedy Cutler in the Halsey McKay booth at NADA New York.

Creating a nuanced dialogue between painted surfaces and photographic color. Kazuhito Tanaka in the Kana Kawanishi booth at NADA New York.

Performatively posing with felt triangles covered with jingle cones, recasting Indigenous traditions and motifs. Maria Hupfield in the Patel Brown booth at NADA New York.

Slippery distortion in angled washes. Marilyn Minter at LGDR.

Flanked by encroaching columns and looking out at the freedom of wide open space. Carrie Mae Weems (from 2003) in the Rear View group show at LGDR.

Doubling and reflecting a nude form via sculptural photomontage. Larry Rivers (from 1970) in the Rear View group show at LGDR.

Carefully arranging contrasts, with a shaft of light placed across a shoulder. Harry Callahan in the Rear View group show at LGDR.

Soviet-era apartment blocks set against laser-cut Baltic textile designs. Krista Svalbonas in the Paperwork show at Klompching Gallery.

Turning branches, leaves, and flowers into a thicket of dense all-over texture. Ji Zhou at the Arsenal Gallery in Central Park.

Layering together vertical strips from old sewing magazines. Erica Baum in the Bureau booth at the Independent.

The tenderness of touch, as amplified by surrounding red drapery. D’Angelo Lovell Williams in the Higher Pictures Generation booth at the Independent.

Resisting temptations during her 1972 “Carving” diet. Eleanor Antin in the Richard Saltoun booth at the Independent.

Photogram wisps and grit gathered from the Thames riverbank. Anne Hardy in the Maureen Paley booth at the Independent.

The surreal discomfort of a fork in the eye. Stan VanDerBeek in the Magenta Plains booth at the Independent.

Covering her own body with centerfold cutouts, performing and hiding at the same time. Asia Stewart at A.I.R. Gallery.

A spinning photosculpture of Persephone’s mirrored legs. Zini Lardieri at A.I.R. Gallery.