Reconstructing the Catherwood Mayan expeditions of the 1830s. Leandro Katz in the Chosen Memories group show at MoMA.
The tactile empty space of an absent globe. Claudio Perna in the Chosen Memories group show at MoMA.
A ghostly sweep of layered black-and-white negatives. Rosângela Rennó in the Chosen Memories group show at MoMA.
Purposeful strides amid the smoke in 1970s Lagos. Marilyn Nance in the second floor foyer at MoMA.
Enlarged grisaille used as an organic interior design element. Carlo Mollino in the Twinsubordination group show at Ramiken.
Daily photobooth self-portraits exploring the construction of personal identity. Juan Pablo Echeverri at James Fuentes.
Watery shadow play across a face. Rebekah Campbell in the White Lodge group show at Island 83 Gallery.
Spirit figures dangled from fire escapes. Senga Nengudi (from 1972) at Sprüth Magers.
The tactile Fresson print softness of floating roses. Karl Lagerfeld at Galerie Gmurzynska.
Mysterious cosmic views tracking unidentified objects across the sky. Trevor Paglen at Pace Gallery.
Disappearing behind the foliage. Jan Rattia at CLAMP.
A cascade of hair and a dangling foot. Jason Langer at CLAMP.
A densely geometric hologram construction, mixing fragmented female nudes and plant matter. Sarah Meyohas at Marianne Boesky Gallery.
The artist’s mother blanketed by expressive chemical overpainting. Dietmar Busse at FIERMAN.
Recasting the motif of “sugar daddy”, via investigations into a Gilded Age sugar magnate and the author Danielle Steel. Sean Fader at Denny Gallery.
The reflective glare of early 1970s Louisiana. Joe Ray at Bortolami Gallery.
Clouded back-to-back skyscapes, like Rorschach tests. Trisha Donnelly at Matthew Marks Gallery.
Interrupting the tropical stereotypes of Caribbean travel postcards. Simon Benjamin at Baxter St at CCNY.
Safe sex allegory in the late 1980s climate of AIDS. Tessa Boffin at Hales Gallery.
A dense grid of model palm tree silhouettes, almost like typography. Bruno V. Roels at Howard Greenberg Gallery.
