Annotating 19th century photographs of a Crow peace delegation, adding backstories of history and heritage. Wendy Red Star in the American Art wing of the Brooklyn Museum.
Channeling a 19th century Indian heroine, with knives and arms raised in gestures of defiance. Rummana Hussain at the Institute of Arab and Islamic Art.
A single bird hovering against a cloudy sky, transformed into a jigsaw puzzle. Felix Gonzalez-Torres at David Zwirner.
Recent iPad drawings, as seen by the artist and his double. David Hockney (from 2022) at Pace Gallery.
Pushing a portrait into areas of uncertainty. Cora Pongracz (from 1964) at Maxwell Graham/Essex Street.
A sculptural angled limb interrupting a wall. Naama Tsabar (from 2018) in the Shades of Daphne group show at Kasmin Gallery.
The shadowy tactile echo of an ancient amphora. Barbara Kasten (from 1996) in the Shades of Daphne group show at Kasmin Gallery.
Crafting a superhero persona out of self-portrait nudes and glossy black obsidian. Shala Miller at Lyles & King.
A pandemic-era caravan of RVs in the desert. Victoria Sambunaris at Yancey Richardson.
Projecting traditional Turkish tile patterns across male nudes. Sarp Kerem Yavuz in Gallery 2 at High Line Nine.
A gathering of ghostly lip imprints, inspired by David Hammons’s body prints. Katherine Hubbard (from 2022) in the Part One group show at Company Gallery.
Turning tangled forms into found sculpture. Robert Grosvenor (from 1990) at Paula Cooper Gallery.
Engagingly disorienting layers of image fragments and sculptural space. Yamini Nayar (from 2022) in the Accrochage group show at Thomas Erben Gallery.
Interrogating the ghostly form of the artist’s own body. Oladélé Ajiboyé Bamgboyé (from the late 1990s) in the Accrochage group show at Thomas Erben Gallery.
Rethinking the colors of Casa Barragán in greyscale shades. Terence Gower (from 2005) in the Color Effects group show at Galerie Lelong.
A single red darkroom lightbulb as a tombstone for the death of analog photography. Alfredo Jaar (from 1988) in the Color Effects group show at Galerie Lelong.
Turning colorful used clothing into an intrusive river through the forest. Rosemarie Laing (from 2017) in the Color Effects group show at Galerie Lelong.
Building unexpectedly personal still lifes from found grocery lists. Nobutaka Aozaki at Marinaro Gallery.
Elegantly layering bookplates into densely sculptural masses. Erin Shirreff in the Reverb group show at Sikkema Jenkins & Co.
Centering Black bodies in a mix of Jacquard weaving, digital printing, and textile collage. Richard-Jonathan Nelson at Yossi Milo Gallery.
