Repeating geometries in sea green at the Island Breeze Motel. Tyler Haughey in the Plein Air group show at Sears-Peyton Gallery.
A scrawled message channeling Tori Amos. Ian Lewandowski in The Moon and I at GRIMM Gallery.
A ghostly shower negation dissolving into the grid. Opal Ecker DeRuvo in the Unfurled group show at Thomas Erben Gallery.
Roots and locs reaching for each other. S*an Henry-Smith (from 2019) in the Relics two-person show at 47 Canal.
Adding eggs, avocados, and sardines to a doubled still life setup. Daniel Gordon in the Synth group show at Kate Werble Gallery.
Dangling ropes and ribbons creating gestural whimsy. David Gilbert in the Purple Prose group show at Marianne Boesky Gallery.
Images of the clouded sky over Manila bent into layered oval-shaped cycle. Derek Tumala in the Island Time group show at Jane Lombard Gallery.
Cyanotype abstractions made from decomposing film reels, capturing the disappearance of collective history and memory. Corinne de San Jose in the Island Time group show at Jane Lombard Gallery.
Assembling a self portrait from Polaroid fragments. Julie Orlick in The I Has to Travel at Klaus von Nichtssagend Gallery.
Disrupting a nude with darkly expressive scratches and drips. Harley Weir (from 2021) in the Dream Journal group show at Company Gallery.
Aggregating gestures of touch and togetherness. Carmen Winant (from 2020) in the Dream Journal group show at Company Gallery.
A puzzling tangle of arms, legs, and a tilted glass of water. Jenna Westra (from 2019) in the Unrequited Love group show at Nathalie Karg Gallery.
Telescoping layers of invitation. Alanna Fields in the Crusading the Specter group show at Yossi Milo.
Tenderly painted faces embedded in the ruggedness of car floor mats. Y. Malik Jalal in the Crusading the Specter group show at Yossi Milo.
Patterned “earth-body” interventions on Long Island. Ana Mendieta (from 1983) in the Un(belonging) group show at Galerie Lelong.
Invading New York with an armored car for the homeless. Krzysztof Wodiczko (from 1991) in the Un(belonging) group show at Galerie Lelong.
Covering the forest floor with industrial carpeting. Rosemary Laing (from 2001) in the Un(belonging) group show at Galerie Lelong.
Isolating squares of skin like a map. Alfredo Jaar (from 1990) in the Un(belonging) group show at Galerie Lelong.
Filling in missing information with painted outlines. Seth Price (from 2021) in the Misunderstandings group show at Peter Freeman.
Using the cliché–verre process to approximate the scratchy movement of trees on a mountainside. Jean-Baptise-Camille Corot (from 1856) in the Misunderstandings group show at Peter Freeman.
