Faucet handles as layers of nested image objects. Robert Cumming (from 1967-1972) in the Uncommon Denominator: Nina Katchadourian at the Morgan group show at the Morgan Library.
The interlocked textures of newspaper and chain link fence. Vivian Maier (from 1953) in the Uncommon Denominator: Nina Katchadourian at the Morgan group show at the Morgan Library.
A split second moment of bag punching angles. Gjon Mili (from 1930) in the Uncommon Denominator: Nina Katchadourian at the Morgan group show at the Morgan Library.
A vacant stare and a roughly sewn dress. Ketuta Alexi-Meskhishvili at Helena Anrather.
The enveloping deep blue of Times Square in the snow. Pete Turner (from 1957) at Bruce Silverstein.
A spiraled paper study, with additional layers of color abstraction. Yuichi Idaka (from 1942-1947) at Higher Pictures Generation.
Literally carving up the bed of a former marriage. Patricia L. Boyd at Reena Spaulings Fine Art.
Turning magazine spreads into slippery undulating forms. Rey Akdogan at Miguel Abreu Gallery.
Seeing the formal whimsy in a studio wall adorned with pinned paper cutouts. David Gilbert at Klaus von Nichtssagend.
A hyper-real view of intricate Gothic detail. Markus Brunetti (from 2022) at Yossi Milo.
Distorted nudes using a fisheye lens, layered into misty overlapping echoes. Kunié Sugiura (from 1965-1967) at Alison Bradley Projects.
Photographic brushstrokes draped around 3D models and fed into an AI system, creating hybrid bodies that refuse to coalesce. Matthew Stone at The Hole.
Giving a modern aluminum baseball bat the surreal glow of an archeological artifact. Priscilla Aleman at Baxter St at CCNY.
Watercolor moods, reimagined as a series of inkjet prints. Gerhard Richter at David Zwirner.
The stretched angles of stepping into a hot tub. Robert Giard at Daniel Cooney Fine Art.
Performative play in the artist’s warehouse studio. Tom Burr at Bortolami Gallery.
Looking down at the action on the floor during a recording session. Isa Genzken (from 1981) in the Dan Graham show at Marian Goodman Gallery.
Turning hoards of clothing into an intricately quilted photo pattern, with cutouts floating above the skewed grid. Frederick Weston at Gordon Robichaux.
Using AI to construct/appropriate a ghostly “photographic” aesthetic. Bennett Miller at Gagosian Gallery.
Nested layers of seeing, photographing, burying, and revealing, with Rome as an ostensible subject. Corin Hewitt in the Evidence of Circumstance group show at Sikkema Jenkins & Co.
