Bedsprings hung from a tree, evoking the spirituality of the Gullah people. Carrie Mae Weems (from 1992) in the Inheritance group show at the Whitney.
Camouflaged in floral wallpaper and drapery. Cecilia Paredes (from 2022) at Ruiz-Healy Art.
Making an outward city view and an inward portrait every day for a year. Ken Ohara (from 1972) at Miyako Yoshinaga.
An abandoned wheelchair in the Provincetown dunes, seen in the artist’s “cross-color” process. Lola Flash (from 1991) in the Trust Me group show at the Whitney.
Dappled shadows and a faintly disappearing silhouette. Muriel Hasbun (from 1993-1994) in the Trust Me group show at the Whitney.
The self-expressive freedom of swimming in a delicate white gown. D’Angelo Lovell Williams (from 2018) in the Trust Me group show at the Whitney.
The sound of a vibrating water glass and a whispered secret. Genesis Báez (from 2018) in the Trust Me group show at the Whitney.
Natural echoes between the curved forms of rocks and body. Laura Aguilar (from 1996) in the Trust Me group show at the Whitney.
Pairing sensitive observations with Lynne Tillman’s words, in folded mailers sealed with tape. Moyra Davey (from 2011) in the Trust Me group show at the Whitney.
Reintroducing pigment to transparent dried flowers via swirling dispersal in water. Kathrin Linkersdorff at Yossi Milo.
“Death of a Patriot”, with naked women decapitating the young man. The Polish photographer Zbigniew Libera (from 2015), in a paired show with painter Agata Kus, at Thomas Erben Gallery.
Reinterpreting folded images on the studio floor with painterly scale and chance inkjet wetness. Wade Guyton at Matthew Marks.
Textural photocopies of sculptural dress forms. Pati Hill at Printed Matter.
Photographic transfers as a backdrop for layered greenery. Njideka Akunyili Crosby at David Zwirner.
Tonal inversion applied to ethnobotanical specimens in Peru. Patricia Domínguez in the Fitter, Happier, More Productive group show at Apexart.
Sparkling mounds of creeping growth in the Louisiana bayou. Yojiro Imasaka in the Four Photographers group show at NowHere.
The tactile piled surfaces of Russian cabbages. Nadia Sablin in the Four Photographers group show at NowHere.
Interlocked in red and blue, and confronted by a direct stare. Pixy Liao in the Four Photographers group show at NowHere.
Fragmenting family memories into sculptural puzzle pieces. Lotte Andersen at Helena Anrather.
Geometric planes extended by lines that trail down the gallery walls. Liliana Porter (from 1973-1975) at Bienvenu Steinberg & J.
