Underwater nudes measured in light years. Robert Flynt in the Luxe, Calme, Volupté group show at Candice Madey.
Iteratively amplifying a Black doll’s face. Janet Henry in the Luxe, Calme, Volupté group show at Candice Madey.
Catching filmmaker John Heys in a lush glare. Philip-Lorca diCorcia in the Luxe, Calme, Volupté group show at Candice Madey.
Lounging and posing on the warehouse rooftops. Alvin Baltrop in the Luxe, Calme, Volupté group show at Candice Madey.
Staging floral exuberance against a scavenged image skyscape. Sara Cwynar in the Hypervision group show at Magenta Plains.
Stitching a swirling mass of fabric images together with eyelets and thread. Ashley Teamer in the We Buy Gold: SEVEN. group show at Nicola Vassell Gallery.
A swirling vortex of collaged boxing absence. Justine Kurland in the Strike Fast, Dance Lightly: Artists on Boxing group show at FLAG Art Foundation.
A young boxer ready for his moment. Curran Hatleberg in the Strike Fast, Dance Lightly: Artists on Boxing group show at FLAG Art Foundation.
A high contrast fight uniform set against dense studio patterns. Malick Sidibé in the Strike Fast, Dance Lightly: Artists on Boxing group show at FLAG Art Foundation.
Frozen energy documented in stop motion frames of sparring bodies. Eadweard Muybridge in the Strike Fast, Dance Lightly: Artists on Boxing group show at FLAG Art Foundation.
Repeating geometries in sea green at the Island Breeze Motel. Tyler Haughey in the Plein Air group show at Sears-Peyton Gallery.
A scrawled message channeling Tori Amos. Ian Lewandowski in The Moon and I at GRIMM Gallery.
A ghostly shower negation dissolving into the grid. Opal Ecker DeRuvo in the Unfurled group show at Thomas Erben Gallery.
Roots and locs reaching for each other. S*an Henry-Smith (from 2019) in the Relics two-person show at 47 Canal.
Adding eggs, avocados, and sardines to a doubled still life setup. Daniel Gordon in the Synth group show at Kate Werble Gallery.
Dangling ropes and ribbons creating gestural whimsy. David Gilbert in the Purple Prose group show at Marianne Boesky Gallery.
Images of the clouded sky over Manila bent into layered oval-shaped cycle. Derek Tumala in the Island Time group show at Jane Lombard Gallery.
Cyanotype abstractions made from decomposing film reels, capturing the disappearance of collective history and memory. Corinne de San Jose in the Island Time group show at Jane Lombard Gallery.
Assembling a self portrait from Polaroid fragments. Julie Orlick in The I Has to Travel at Klaus von Nichtssagend Gallery.
Disrupting a nude with darkly expressive scratches and drips. Harley Weir (from 2021) in the Dream Journal group show at Company Gallery.
