Creeping vines overrunning the strict geometries of a tomb. Ralston Crawford (from 1973) in the Inheritance group show at the Whitney.
Realizing requests from travel-restricted Palestinians, here in the form of a visit to a mother’s grave in Jerusalem. Emily Jacir (from 2001-2003) in the Inheritance group show at the Whitney.
Restaging Man Ray as a way to reclaim a personal connection to African art. John Edmonds (from 2018) in the Inheritance group show at the Whitney.
Disrupting colonial legacies with contemporary efforts to counteract those histories. Todd Gray (from 2019) in the Inheritance group show at the Whitney.
Sinuous feminine forms carved into hard Cuban dirt. Ana Mendieta (from 1981) in the Inheritance group show at the Whitney.
Bedsprings hung from a tree, evoking the spirituality of the Gullah people. Carrie Mae Weems (from 1992) in the Inheritance group show at the Whitney.
Camouflaged in floral wallpaper and drapery. Cecilia Paredes (from 2022) at Ruiz-Healy Art.
Making an outward city view and an inward portrait every day for a year. Ken Ohara (from 1972) at Miyako Yoshinaga.
An abandoned wheelchair in the Provincetown dunes, seen in the artist’s “cross-color” process. Lola Flash (from 1991) in the Trust Me group show at the Whitney.
Dappled shadows and a faintly disappearing silhouette. Muriel Hasbun (from 1993-1994) in the Trust Me group show at the Whitney.
The self-expressive freedom of swimming in a delicate white gown. D’Angelo Lovell Williams (from 2018) in the Trust Me group show at the Whitney.
The sound of a vibrating water glass and a whispered secret. Genesis Báez (from 2018) in the Trust Me group show at the Whitney.
Natural echoes between the curved forms of rocks and body. Laura Aguilar (from 1996) in the Trust Me group show at the Whitney.
Pairing sensitive observations with Lynne Tillman’s words, in folded mailers sealed with tape. Moyra Davey (from 2011) in the Trust Me group show at the Whitney.
Reintroducing pigment to transparent dried flowers via swirling dispersal in water. Kathrin Linkersdorff at Yossi Milo.
“Death of a Patriot”, with naked women decapitating the young man. The Polish photographer Zbigniew Libera (from 2015), in a paired show with painter Agata Kus, at Thomas Erben Gallery.
Reinterpreting folded images on the studio floor with painterly scale and chance inkjet wetness. Wade Guyton at Matthew Marks.
Textural photocopies of sculptural dress forms. Pati Hill at Printed Matter.
Photographic transfers as a backdrop for layered greenery. Njideka Akunyili Crosby at David Zwirner.
Tonal inversion applied to ethnobotanical specimens in Peru. Patricia Domínguez in the Fitter, Happier, More Productive group show at Apexart.
