The tactile essences of a folded body print. Katherine Hubbard (from 2023) in the Angelic Rebels group show at Company.
A dejected angel during the AIDS crisis. Tessa Boffin (from 1989) in the Angelic Rebels group show at Company.
Nesting performative studio setups in layers of illusionistic reflection. B. Ingrid Olson in the Whitney Biennial 2024: Even Better Than the Real Thing at the Whitney.
A towering wall documenting the daily tasks of providing abortion health care. Carmen Winant in the Whitney Biennial 2024: Even Better Than the Real Thing at the Whitney.
A classic gesture of collaged glamour, as applied to the elegant profile of a Weimaraner. William Wegman at Sperone Westwater.
Blocking the sun wearing latex gloves. Ian Lewandowski at CLAMP.
A hypnotized man, acting out being at the bottom of the ocean. Elizabeth Heyert at Daniel Cooney Fine Art.
A sea of serious faces at a Black Muslim rally in Harlem. Gordon Parks (from 1963) at Jack Shainman Gallery.
Chinese coal miners, seen with the unsparing attention of Avedon. Song Chao (from 2002) in the Coal + Ice exhibit at the Asia Society.
A Central Valley dust storm blowing off a roof. Matt Black (from 2009) in the Coal + Ice exhibit at the Asia Society.
Posing in the waist-deep flood that has inundated their home. Gideon Mendel (from 2017) in the Coal + Ice exhibit at the Asia Society.
A field of blowing poppies, transformed into swirls of gestural motion. Michal Rovner at Pace Gallery.
A train switchman making a stop signal at twilight. Jack Delano (from 1943/later) in the Color Photographs from the New Deal (1939-1943) group show at Carriage Trade.
Interrupting a young woman with a vertical zip of gold foil. Carolle Bénitah (from 2023) at Sous Les Etoiles.
The gestural twists of fire hoses. Anton Stankowksi (from 1930/1980s) at OSMOS Address.
A satirical stumble through an ideal pose. Carolyn Drake at Yancey Richardson.
Softly resting in pastel tones with potatoes on fire. Hellen van Meene at Yancey Richardson.
Layering industrial structures, row houses, and gravestones. Bernd & Hilla Becher (from 1986) at Paula Cooper Gallery.
Lines of walking boots as a performative intervention. Eleanor Antin (from 1971-1973) in Seen Together: Acquisitions in Photography at the Morgan Library.
A performative setup for a sunburn. Dennis Oppenheim (from 1970) in Seen Together: Acquisitions in Photography at the Morgan Library.
