Bathroom sink portraits holding prescriptions. Richard Kern at Feature Inc.

Leaves come and go in a time lapse pairing. Will Rogan at Laurel Gitlen.

The menacing glow of tanker taillights. Nina Berman in Container 38 at Photoville.

An all-over environment made of striped bags. Nobukho Nqaba in Container 4 at Photoville.

Sleeping in the McHotel. Olivier van Breugel and Simone Mudde in Container 9/1o at Photoville.

Floating rocket launcher exuberance. Chris Hondros in Container 18 at Photoville.

Pock marked, bullet ravaged Monrovia. Nic Bothma in Container 18 at Photoville.

Botanical specimens made of tiny synthetic cameras. André Feliciano at BOSI Contemporary.

Spinning lightbox tubes of bag-carrying women in intersections. Eric Starosielski at Judith Charles Gallery.

The visual patterns of software-distorted television signals. Casey Reas at Bitforms.

Flowers creeping up on a sparkly mannequin. Aimee Hertog at Pocket Utopia.

Shiny discarded iPad ghosts as an ode to obsolescence. Andrea Longacre-White at Room East.

Vibrant, mid 1980s Gilbert and George on the High Line billboard.

Curtains in the jungle. Rebecca Reeve in the #Pseudoreal group show at Judith Charles Gallery.

Indirect family portraits, rethinking her own teenage work. Talia Chetrit at Leslie Fritz Gallery.

Hrair Sarkissian’s public execution sites in Syria at Tate Modern. Conceptually similar to Deborah Luster.

The blue ceiling (not red) in a room full of terrific Egglestons at the Tate Modern.

Made a pilgrimage to Lacock to see where WH Fox Talbot made his first photos. Paper negatives from the museum.

Bauhaus-style all over pattern from 1930s British industry. Maurice Broomfield at the V&A.

Robert Brownjohn’s 1961 typology of London street typography. Part of a well edited photo room at the V&A.