Abstraction as shifting planes of ephemeral color. David Mitchell at Jim Kempner Fine Art.

The enveloping orange of a Burkina Faso brick quarry. David Pace at Corden Potts Gallery.

Still life time disrupted by a painted proxy. John Chervinsky at Corden Potts Gallery.

The black void of a runoff pool. David Maisel mining aerials at Haines Gallery.

New images from Richard Learoyd in black and white. At Fraenkel Gallery.

Blurred, ephemeral voyeurism. Miroslav Tichý at Half Gallery.

Man in a top hat. A Charles Nègre paper negative/salt print combination at Hans P. Kraus Jr Photographs.

A jumbled, multicolored teen sleepover. Martine Fougeron at the Gallery at Hermès.

Cascading red hair and diner stools. Bryan Schutmaat at Aperture Gallery.

Covered in pi. Rimma Gerlovina and Valeriy Gerlovin at Flomenhaft Gallery.

Artist shoots box; hole creates self portrait shooting. Rudolf Steiner at Apexart.

The rituals of father and son. Angela Strassheim at Andrea Meislin Gallery.

The artist as corpse, with a nod to Charles Ray. Matthew Day Jackson at Hauser & Wirth.

That split second when a great composition coalesces. Max Kozloff at Steven Kasher Gallery.

Shards of rainbow grain on a shadowy background. Miranda Lichtenstein in the Post Culture show at Elizabeth Dee.

Andy Warhol with flowers and Flowers. William John Kennedy at Steven Kasher Gallery.

A twisted floral photograph on perforated vinyl. Virginia Poundstone at KANSAS Gallery.

Ceramic rosettes, orange marmalade, and a red wedding. Sandy Skoglund at Janet Borden.

Modernist architecture mixed in with the houseboats on Halong Bay. Dionisio González at Galerie Richard.

The contrast of crisp fog and layers of pixelated clouds. Joshua Citarella at Higher Pictures.