Cut paper geometries and resulting photograms. Richard Caldicott at Sous Les Etoiles.
Patti Smith on the cover of Annie Leibovitz’ massive new Taschen monograph.
A vertigo-inducing twist of perspective. Pétur Thomsen in the Darkness & Light group show at the Scandinavia House.
Tomatoes in a geothermal greenhouse. Bára Kristinsdóttir in the Darkness & Light group show at the Scandinavia House.
A surreal wax figure skin graft. Herbert List in the Panopticum group show at Robert Miller.
Abstraction as a marriage of painting, Photoshop, and inkjet printing. Jeff Elrod at Luhring Augustine.
Disquieting photographs of books confiscated from Palestinian homes. Emily Jacir at Alexander and Bonin.
A river snaking through a pink cotton candy valley. An accompaniment to Richard Mosse’s video The Enclave at Jack Shainman.
Appropriated VW ads, rendered in 3D, flattened to 2D, and inkjet printed on canvas. Kelley Walker at Paula Cooper.
A clarified swarm of Tokyo commuters. Adam Magyar in the METRO group show at Julie Saul Gallery.
A flattened still life of breakfast dishes and art books. Jed Devine at Bonni Benrubi.
The penetrating gaze of late 1980s Christy Turlington. Herb Ritts at Edwynn Houk.
The clear eyed, determined faces of Indian girls. Gauri Gill at Thomas Erben.
Stylized misty hills made of impossibly dense apartments and electrical towers. Yang Yongliang at RH Contemporary Art.
Tamper proof CD stickers as visual interrupters. Richard Prince in the Ten Portfolios show at Carolina Nitsch.
Jasper Johns in silhouette, with a dripping handprint. Kunié Sugiura in the Imprints group show at Leslie Tonkonow.
Porn magazine spreads interrupted by gestural overpainting. Beverly Semmes at Susan Inglett.
The monumental textures of Patagonian ice formations. Frank Thiel at Sean Kelly.
Old Masters reimagined with modern twists. Josef Fischnaller at Stux.
Infrared portraits of male dancers. Nir Arieli at Daniel Cooney Fine Art.
