The skew angles of 19th century oyster boats. Hugh Owen at Hans P. Kraus Jr. Fine Photographs.
Balancing light and dark in Queens. 1970s Thomas Struth in the New York Topographics group show at Senior & Shopmaker.
The scale of space in the emptiness of the desert. Maroesjka Lavigne at Robert Mann.
The stripes and striations of grain elevators. Bernd and Hilla Becher in the Of a Different Nature group show at Jack Shainman.
The burnished bronze skin of a male nude. Alfredo Boulton in the Do Ask, Do Tell group show at Henrique Faria Fine Art.
Layering symbols of domestic commerce and the female nude. Robert Heinecken at Petzel Gallery.
Marking time with an integrated mix of still frames and video. Ze Dong at Miyako Yoshinaga.
A perplexing puzzle of limbs. Ren Hang in the Photography is the Medium of Desire group show at the Leslie-Lohman Museum of Gay and Lesbian Art.
Upside down and eye to eye. Jessica Yatrofsky in the Photography is the Medium of Desire group show at the Leslie-Lohman Museum of Gay and Lesbian Art.
The elegant languor of tangled bodies. Matthew Morrocco in the Photography is the Medium of Desire group show at the Leslie-Lohman Museum of Gay and Lesbian Art.
David Wojnarowicz seen with penetrating intimacy. Peter Hujar at Paul Kasmin.
The androgynous theatrics of nipple horns and red leather pants. Jürgen Klauke at Koenig & Clinton.
Suffocating in a massage mask. Juno Calypso in The Real Thing at Flowers Gallery.
The intricate interplay of axe and bungee cords. Corey Olsen at Julie Saul.
“She Walks in Beauty”. Julia Margaret Cameron (in the Vintage Works booth) at Classic Photographs Los Angeles.
Documenting East LA street culture. Gusmano Cesaretti (in the Joseph Bellows booth) at Classic Photographs Los Angeles.
Form and structure in imposing walls. Leavitt Hunt from 1851 (in the Gary Edwards booth) at Classic Photographs Los Angeles.
A frenetically abstract multiple exposure. Peter Keetman (in the L. Parker Stephenson booth) at Classic Photographs Los Angeles.
A hidden face caught in a reflection. Irving Haberman in the PM New York Daily: 1940-48 group show at Steven Kasher.
The folds and textures of a broad-shouldered back. Louis Draper at Steven Kasher.
