The wall-filling Pola Eros. Nobuyoshi Araki in the PRISMES section of Paris Photo.
A recreation of Farewell Photography (1972). Daido Moriyama in the PRISMES section of Paris Photo.
Modifying architectural space to create trompe l’oeil geometric patterns. Georges Rousse at Sous Les Etoiles Gallery.
A shifting mix of palms, checkerboards, aluminum, and tilted framing. Joseph Desler Costa at Foley Gallery.
A paired-image feminist version of the Pirelli calendar. Andrea Mary Marshall at Garis & Hahn.
Multiple exposure head in a refrigerator. Brigid Berlin at Invisible-Exports.
The tender embrace of a baby raccoon. Jesse Burke at ClampArt.
Mimicking the whorls of digital distortion. Sarah Sieradzki in the Surface Tension group show at Garis & Hahn.
Nude crosshatched into abstraction. Brassaï in the 11/13 Photographs Signature Auction at Heritage.
A tangled montage of fetish eroticism. Pierre Molinier, in a single artist auction 11/13 at Artcurial.
Replicating street art text in tattoo ink. Addam Yekutieli at Catinca Tabacaru.
Araki Polaroids on the floor of a fake massage parlor. Paired with Rudolf Schwarzkogler in Salon de Mass-age at Shin Gallery.
Men and their handguns. Hunter Barnes at Milk Gallery.
Stylized stagings on the 1940s Nantucket shore. PaJaMa (Paul Cadmus, Jared French, and Margaret French) at Gitterman.
A less glamorous echo of advertising tropes. Sanja Iveković in the Transmissions: Art in Eastern Europe and Latin America, 1960–1980 show at MoMA.
Making photograms on a spinning gramophone turntable. Běla Kolářová in the Transmissions: Art in Eastern Europe and Latin America, 1960–1980 show at MoMA.
Forced togetherness – people, rocks, tires, and beer bottles. Milan Knížák in the Transmissions: Art in Eastern Europe and Latin America, 1960–1980 show at MoMA.
Putting a live family on a gallery pedestal. Oscar Bony in the Transmissions: Art in Eastern Europe and Latin America, 1960–1980 show at MoMA.
Tracing a circle with a finger tip. Liliana Porter in the Transmissions: Art in Eastern Europe and Latin America, 1960–1980 show at MoMA.
Smashed face self-portraits using a plate of glass. Ana Mendieta in the Transmissions: Art in Eastern Europe and Latin America, 1960–1980 show at MoMA.
