Mixing darkroom techniques with elegant dexterity. Jaroslav Rössler (from 1968) in the More Avant-Garde group show at Gitterman Gallery.
Wood grain microphotography, with a shiny metallic sheen. Laure Albin-Guillot (from 1931) in the More Avant-Garde group show at Gitterman Gallery.
The surreal isolation of a single freckled eye. Jean Moral (from 1927) in the More Avant-Garde group show at Gitterman Gallery.
Transforming Prince Albert into the Elephant Man. Frederick Sommer (from 1947) in the More Avant-Garde group show at Gitterman Gallery.
The mystery of a doubled face in positive/negative. Francois Kollar (from c1933) in the More Avant-Garde group show at Gitterman Gallery.
Capturing slogans written in the streets during the feminist revolution in Iran. Gülistan Kenanoğlu in the Divine Violence/Jin, Jîyan, Azadî group show at Apexart.
Using collage to document the feminist revolution in Iran. Çağlar Hanaylı in the Divine Violence/Jin, Jîyan, Azadî group show at Apexart.
Following the overhead wires to a “divine connection”. Flor Garduño (from 2017) at Throckmorton Fine Art.
Staging an early self-portrait, with bananas. Erwin Olaf (from 1981) at Edwynn Houk Gallery.
Shimmering blue on the skin, like the sky above. Koral Carballo in Visibility & Resistance: New Acquisitions, Contemporary Afro-Mexican Photography at the Schomburg Center for Research in Black Culture at the NYPL.
Laced up to the point of suffocation. Dolores Medel in Visibility & Resistance: New Acquisitions, Contemporary Afro-Mexican Photography at the Schomburg Center for Research in Black Culture at the NYPL.
Using singular objects to represent life in Costa Chica, Mexico. Hugo Arellanes Antonio in Visibility & Resistance: New Acquisitions, Contemporary Afro-Mexican Photography at the Schomburg Center for Research in Black Culture at the NYPL.
Altering skin tones in a doubled self-portrait to explore a bi-racial identity. Toumani Camara in Visibility & Resistance: New Acquisitions, Contemporary Afro-Mexican Photography at the Schomburg Center for Research in Black Culture at the NYPL.
Using digital composites to track bird pathways through the sky. Doris Mitsch at CLAMP.
Posing as Miss America in whiteface and an American flag. Lyle Ashton Harris (from 1987-1988) in the Flags group show at Paula Cooper Gallery.
Surrounded by flags at a hard hat rally. Garry Winogrand (from 1970) in the Flags group show at Paula Cooper Gallery.
A crumpled American flag at the bottom of a bucket. Glenn Ligon in the Flags group show at Paula Cooper Gallery.
Celebrity death and a flag trailed across the sand like a towel. Robert Frank (from 1962) in the Flags group show at Paula Cooper Gallery.
Slatted fencing disrupted by digital glitching. Bill Abdale at Baxter St at CCNY.
Hiding behind a pair of mirrors. Brandon Foushée (from 2024) at Baxter St at CCNY.
