The artist’s website can be found here.
Comments/Context: There is an old song by the Band called Twilight that has a chorus that goes something like this:
Don’t send me no distant salutations
Or silly souvenirs from far away
Don’t leave me alone in the twilight,
Cause twilight is the loneliest time of day
German photographer Peter Bialobrzeski’s newest pictures are all taken at this fleeting moment in the day, when dusk is falling, the lights have just come on, and the cooler breeze gives you a shiver. His subjects are the futuristic mega-constructions that are multiplying all over the world, rapidly gobbling up the old and remaking the world in their own distinct science fiction aesthetic. His pictures have no people, no identifiers of place, no signs or landmarks to give away their locations; whether we are in Abu Dhabi or Bremen, Jakarta or Zurich, it just doesn’t seem to matter. When small towns are overrun by chain stores, we bemoan the “Starbucksification” of the neighborhood; Bialobrzeski’s images remind us that this homogenization is happening on a much larger scale, as cities across the globe make the transition from old to new.
While most photographs of great buildings from the 1920s and 1930s had a romantic aura, these pictures seem to have a more complex set of emotions mixed together. Some of the darker images seem to be precursors to a Metropolis or Blade Runner style world, a neo–noir movie in the making. Others are more mundane, with grubby construction sites encroaching on older warehouses and worn out factories.
This is not to say that these are not beautiful images; indeed they are. One of my favorite pastimes with this book has been to flip through the images slowly, simply looking at the sublime palette of sky colors that Bialobrzeski has captured in this series: greys and soft blacks, mauves and deep purples, and a nuanced spectrum of blues, all carefully sequenced. Due to the stark fluorescent lights that inhabit nearly every locale, the images seem to radiate a silent and lonely brightness.
Overall, this is a book that provokes some complicated thinking: about architecture and cities, about the “modern world”, and about how our collective society is evolving around us.
Collector’s POV: There was an exhibition of Bialobrzeski’s images from this series (printed 40×50) at the Laurence Miller Gallery last fall (here), which we somehow missed. His previous books, particularly Neon Tigers, have been well received.