Using long exposures to make motion-based “drawings” with the artist’s face. Blythe Bohnen (from 1974) in the What it Becomes group show at the Whitney Museum of American Art.
Blythe Bohnen @Whitney
Using long exposures to make motion-based “drawings” with the artist’s face. Blythe Bohnen (from 1974) in the What it Becomes group show at the Whitney Museum of American Art.
The photographic results from the Post-War to Present and Post-War to Present Online sales at Christie’s in London last week were largely uneventful. A Wolfgang Tillmans abstraction took the top ... Read on.