
Using long exposures to make motion-based “drawings” with the artist’s face. Blythe Bohnen (from 1974) in the What it Becomes group show at the Whitney Museum of American Art.
Using long exposures to make motion-based “drawings” with the artist’s face. Blythe Bohnen (from 1974) in the What it Becomes group show at the Whitney Museum of American Art.
As has been our tradition for many years now, as the art world slows down for a collective summer vacation at the end of August, so do we. At this ... Read on.