
Using long exposures to make motion-based “drawings” with the artist’s face. Blythe Bohnen (from 1974) in the What it Becomes group show at the Whitney Museum of American Art.
Using long exposures to make motion-based “drawings” with the artist’s face. Blythe Bohnen (from 1974) in the What it Becomes group show at the Whitney Museum of American Art.
An overall Buy-In rate over 44% muted the results of the recent photography sale at Ader in Paris. The top lot Bernd & Hilla Becher typology failed to find a ... Read on.