Using long exposures to make motion-based “drawings” with the artist’s face. Blythe Bohnen (from 1974) in the What it Becomes group show at the Whitney Museum of American Art.
Using long exposures to make motion-based “drawings” with the artist’s face. Blythe Bohnen (from 1974) in the What it Becomes group show at the Whitney Museum of American Art.
There were no photographs available in the evening sale at the Modern & Contemporary Art sales at Phillips in New York last week, but the photo works on offer in the ... Read on.