
Using long exposures to make motion-based “drawings” with the artist’s face. Blythe Bohnen (from 1974) in the What it Becomes group show at the Whitney Museum of American Art.
Using long exposures to make motion-based “drawings” with the artist’s face. Blythe Bohnen (from 1974) in the What it Becomes group show at the Whitney Museum of American Art.
JTF (just the facts): A total of 16 color photographic works, hung against white walls in the main gallery space. All of the works are pigment prints mounted on Dibond ... Read on.