
Using long exposures to make motion-based “drawings” with the artist’s face. Blythe Bohnen (from 1974) in the What it Becomes group show at the Whitney Museum of American Art.
Using long exposures to make motion-based “drawings” with the artist’s face. Blythe Bohnen (from 1974) in the What it Becomes group show at the Whitney Museum of American Art.
JTF (just the facts): A total of 454 black-and-white photographs, framed in black and matted, and hung on black steel scaffolding and against white walls in the large open space, ... Read on.