If there’s one thing that the recent single artist sale of the work of Hiroshi Sugimoto at Christie’s in Paris tells us, it is that the market for Sugimoto’s work is mature and predictable. Two mural-sized seascapes led the sale and both sold at or just above their estimate ranges. And while the overall Buy-In rate was high (over 46%), there were enough secondary and lesser known works on offer to make that outcome understandable. For those lots that did sell, two thirds sold right within in their estimate range, and there were no positive surprises at all. In the end, the Total Sale Proceeds fell below the aggregate pre-sale estimate range.
The summary statistics are below (all results include the buyer’s premium):
|Pre Sale Low Total Estimate||€1284000|
|Pre Sale High Total Estimate||€1896000|
|Total Lots Sold||15|
|Total Lots Bought In||13|
|Buy In %||46.43%|
|Total Sale Proceeds||€1208000|
Here is the breakdown (using our typical Low, Mid, and High definitions):
|Low Total Lots||1|
|Low Bought In||0|
|Low Buy In %||0.00%|
|Total Low Estimate||€7000|
|Total Low Sold||€5250|
|Mid Total Lots||14|
|Mid Bought In||7|
|Mid Buy In %||50.00%|
|Total Mid Estimate||€314000|
|Total Mid Sold||€196250|
|Total High Lots||13|
|High Bought In||6|
|High Buy In %||46.15%|
|Total High Estimate||€1575000|
|Total High Sold||€1006500|
The top lot by High estimate was tied between two lots: lot 205, Hiroshi Sugimoto, Sea of Japan, Rebun Island, 1996, and lot 216, Hiroshi Sugimoto, Bass Strait, Table Cape, 1997, both estimated at €200000-300000. The Sea of Japan print was the top outcome of the sale at €307500, while the Bass Strait print sold at €271500 (images above, via Christie’s).
93.33% of the lots that sold had proceeds in or above the estimate range and there were no surprises in the sale (defined as having proceeds of at least double the high estimate).
Complete lot by lot results can be found here.